MY B. & Me: the origins
MY B. & Me: the origins
MY B. & Me: the origins
I was only a child when I was introduced to the threatening and macabre world of the enigmatic Men in Black, those dark-suited ghouls who terrorize UFO witnesses and investigators alike. I began impatiently to read the disturbing but compelling pages of John Keel's now classic title, The prophecies of Mothman, which spoke of clearly strange events in Point Pleasant, West Virginia, from the middle to the late sixties. Now that I think about it, "strange events" may not be the correct terminology to use. Direct paranormal malice and malignancy would be much more appropriate, I think. A thing with burning eyes, surreal reports of contact with enigmatic alien entities on lonely roads, illuminated by the moon, wrapped in trees, hidden phenomena that plague the entire city at night, and lives manipulated and transformed in an almost unimaginable way. order of the day. And then there were the disturbing, predatory and repeated manifestations of the dreaded MIB that, I have the distinct impression, were pulling the supernatural threads of almost all those innumerable entities and indescribable things that had chosen Point Pleasant as their targets.
For reasons I have never really understood, from that very day forward I was particularly fascinated by the actions of the Men in Black, their silencing of UFO witnesses, their almost ethereal presence in our world and, of course, their overwhelming and mysterious Elusiveness . Who, or more likely what, were? Where did they originate? What did they want from us? Why were they so determined to silence the seekers of flying saucers? The more and more I delved into the subject, the more I found myself trying to penetrate the veil of the unsettling darkness and hostility that seemed to forever surround the MIB. In the immediate years that followed my reading of John Keel's legendary study of Mothman, I looked for as many works on the MIB as possible. And, at the top of my list, in the first place without a doubt, were the title of Gray Barker in 1956 They knew too much about flying saucers and a small and overwhelmingly strange book entitled Flying saucers and the three men. The latter was written in 1962 by a curious and undeniably paranoid. character named Albert Bender, without whom there simply would not be puzzle MIB. Period.
Barker, who had a talent for everything dramatic, was the perfect person to address the mystery of the MIB, even though a recognized combination of adornment, parabola and exaggeration was his typical and controversial style. But, Barker would never have been in a position to make a large part of the nature of MIB had it not been for the eccentric and obsessed with the occult Bender, who, in 1953, was supposedly silenced by a trio of entities with black eyes and eyes bright from some strange lower world after getting too close to the truth about flying saucers.
As time passed, I also learned, unfortunately, that Barker would tell a story exclusively for its effect. It was also someone who I was willing to cheat, to manufacture, and to lie openly in the name of M.I.B. In other words, reading Barker's works requires that one be on guard all the time. His writings contain facts, but there is a lot of fiction and lying there as well. All that alone have have a relationship with the first days of M.I.B. Lore and legend. Much less Mulder and Scully, and much more H.P. Lovecraft meets Devil girl of Mars Meet Bram Stoker, Flying saucers and the three men he presented the MIB not as government agents of the Will Smith and Tommy Lee Jones variety, but as extremely cold and emotionless aliens who seemed to be as familiar with hidden and nightmarish issues as they were with UFOs and far-flung fantasy worlds.
Appearing as well-dressed, pale-faced corpses, the terrible trio intimidated and terrorized the obsessive-compulsive Bender to the point of a near physical and emotional collapse. No wonder he resigned from Ufology and moved on to other things, such as focusing on the works of the Austrian composer, Max Steiner, responsible for the soundtracks of the original King Kong Y gone With the Wind. Indeed, in 1965, Bender. He established the Max Steiner Music Society., and left his old life firmly in the past. As for Barker, in 1984 it was poor health, instead of black dresses, which brought him before he turned sixty. Keel continued for a quarter of a century after Barker, still trapped (though never, never resolving) the enigma of the three shadowy men on the other side of the veil.
Of course, when my adolescence became my twenties, and then in my thirties, my opinions about the phenomenon of the MIB changed, in some aspects, in a subtle way, but in other aspects much less. But there was one thing that never changed: my sincere desire to solve the enigma of the true nature, origin and intention of the Men in Black. Since those days of my childhood, I have pursued the MIB on a scale that has easily surpassed my searches for the truth about Bigfoot, the Chupacabras and Roswell combined. My first book A covert agenda, which was published in 1997, details a series of curious MIB style encounters in the US. UU from the 1950s onwards. My 2003 title, Strange secrets, included a chapter on the little-known problem of government archives about the Men in Black. Three years later, I wrote In the way of the spies saucer, which was a complete study of the secret surveillance of certain elements of the UFO research community carried out by MIB-type characters in the government. Then, in 2011, The true men in black hit the shelves. This last title of my part specifically addressed the paranormal side of the MIB phenomenon. And, that same year, I wrote a new prologue to an updated and expanded edition of Gray Barker's 1983 book.: M.I.B.: The secret terror between us. Since then, I've written Men in black, Women in blackY The black newspaper. In addition to a book about the last Man in Black, the Slenderman. It has been a curious journey, to say the least ...
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