When foreigners landed at the Olympic Games
When foreigners landed at the Olympic Games
In June of 1984, American Psychology magazine asked its readers a question: "Do you believe in UFOs?" 50% of respondents said yes.. A decade before, only 40% Of the respondents to the same question in a survey Roper had answered affirmatively. While it is impossible to accurately explain this apparent 10% increase in belief, it seems reasonable to speculate that Hollywood played an important role. The iconic Spielberg UFO movie. Close Encounters of the Third Type was released with great success and blockbuster in 1977. Inspired by the investigation of logistic UFOs like J. Allen Hynek and fueled by Spielberg's obsession with flying saucers throughout his life, Close encounters It was the most ufological film ever made, and treated its subject with respect and seriousness. More importantly, and in stark contrast to most Hollywood extraterrestrial productions in the past, Spielberg's film dared to present aliens as creatures of benevolence and wonder, not as invaders, but as saviors. Spielberg hit the gold again with the concept of alien savior in 1982 with his box office success. ET the alien, which quickly became the most successful film of all time and spawned numerous films in the same line throughout the eighties.
The 'Close Encounters of the Third Kind' by Spielberg (1977).
Two months after June 1984. American Psychology The survey of magazine readers revealed that half of the country believed in UFOs, the closing ceremony of the Olympic Games in Los Angeles showed how deeply UFOs and aliens had taken root in the American psyche, and to what extent they had become inseparable from the cinema.
The highlight of the Olympic closing ceremony that year was the landing on stage of a giant flying saucer and the subsequent emergence of an extraterrestrial (friend, of course) who then officially declared the games closed. In an impressive show, clearly inspired by the final scenes of Spielberg Close encounters, the Olympic cymbal communicated with the astonished crowd below through a series of elaborate light shows, the orchestral music increased to a crescendo, and the UFO descended to applause. It was a strange and magnificent sight to see.
Interestingly, the event has become the subject of conspiratorial reflections in the UFO community. For years, UFO fans have speculated that the 1984 Olympic UFO was not a support suspended by a helicopter, but a real flying saucer, whether man-made or foreign, owned by the government of the United States and boasted on the world stage for all to see. This idea goes back to Bill Cooper, author of Here is a pale horse, which, since its publication in 1991, has become a kind of bible for conspiracy theorists.
Without date interview Since the early 1990s, Cooper's comments on the Olympic OVNI:
"Well, it was not held by a helicopter, there's no helicopter up there holding this thing, they're telling you, but it's not true, can you imagine the responsibility they would have if they carried this thing suspended on a cable under a helicopter heads of hundreds of thousands of people?
Cooper then declares his belief that "there was no helicopter, there was no cable," and that the UFO was "operating on its own."
[youtube https://www.youtube.com/watch?v=3wZSeTKDBP4?feature=oembed&w=570&h=428]
In his 1991 book, Cooper argued that for decades, the United States government had been working in a covert way with strange intelligences and that it had very advanced technologies in its possession, including flying saucers, both artificial and extraterrestrial. He also believed that the powers that were planning to exploit the extraterrestrial presence organized an alien invasion with a false flag to introduce martial law and establish a one-world government. copper he died in a shooting with sheriff's deputies at his home in Eagar, Arizona, in 2001, after aggravated assault charges with a deadly weapon and danger stemming from disputes with local residents. Many in today's conspiracy community are convinced that Cooper's death was orchestrated by the New World Order because his work was too close to the truth.
In light of its well-established position that the global elite was planning a false invasion by the flag, Cooper's statements that the Olympic UFO was real led many of his followers to believe that the Olympic closing ceremony of 1984 was a test of public reaction to an extraterrestrial landing, and a rudimentary dry run through a spectacular and devastating false flag event that was thought to be in process.
If you are one of the people who believes Cooper about the Olympic UFO, be prepared to feel disappointed (or, perhaps, relieved).
He has been known for years for anyone who has taken a few moments to do some excavations (which apparently excludes most of the UFO conspiracy theorists) that the 1984 Olympic UFO was actually the work of Disney's famous "Imagineer," Bob Gurr, who is credited with designing the majority of The original attractions of Disneyland.
[youtube https://www.youtube.com/watch?v=gFHGP3KMMzU?feature=oembed&w=570&h=428]
In 2004, Gurr wrote a Article for Design times, which describes in detail the time and effort that led to the creation of the OVNI Olympic spectacle. Gurr vividly remembers the reaction to his finished product on the night of the ceremony when his UFO descended from heaven:
"An audible scream swept the Los Angeles Memorial Coliseum ... Was it real? Some of the 92,000 viewers certainly thought about it ... Millions of viewers around the world stared in amazement ... was this really happening? Or simply more than that the entertainment capital of the world does for everyday life ".
Then, Gurr continues to answer his own question as he recounts the origins of the project and how it all came together. Originally, the ceremony was to be produced by Disney, but when the entertainment giant was unable to provide a budget on time, the reins were handed over to David L. Wolper (producer of Willy Wonka and the chocolate factory). Tommy Walker, who had been Director of Entertainment at Disneyland, was recruited as Director of Ceremonies. It was Walker who suggested that a flying saucer be presented as the culminating point of the 1984 ceremony, and it was Walker and Wolper who enlisted in the services of Bob Gurr. The head designer of the contract won it and held Hollywood's Plainview.
Snapshots of the "UFO landing" at the closing ceremony of the 1984 Olympic Games.
The task was to create a flying saucer 50 feet in diameter equipped with hundreds of special lights. Only two months into the night of August 12, 1984, work began. "The wild contraption that I imagined was developed and built at a furious pace," Gurr writes in his article, noting that the saucer had to carry a large amount of equipment, but that it needed to be light enough to be carried by a belfry Bell 314. Helicopter lifting:
"So I made an outer ring of sections of aluminum armor welded together by wires to a central triangular frame. This was inspired by the extremely light construction of the Zebelin Hindenburg of the 1930s. The saucer looked like a slice of the Hindenburg turned sideways.
According to Gurr, the center frame of the saucer carried a 90 KVA 208 three-phase gas turbine generator and, for its spectacular light display, the saucer used 600 watt 600-watt Ray Lites, a 7K Xenon projector Pichel Industries. , in addition to "a lot more lighting gadgets that total a total of 432 items using 238,200 watts ... but not all at once!" The total weight ready to fly was 3,689 pounds.
The Los Angeles Memorial Coliseum during the 1984 Olympic Games.
Finally, after only five weeks of work, and only nine days before the show, the Olympic flying saucer was ready and ready to fly. And he did, in the imagination of the millions of people who saw him live, including Bill Cooper, and, in turn, numerous online conspiracy theorists who were convinced that the global elite had that sticky August night. 1984, gave us a tangible look. of his hidden world. The reality, that a handful of talented and determined individuals have grafted hard and fast to create an illusion of Hollywood, is much less exciting than the conspiracy, but nevertheless it is impressive.
"But wait, what about the alien?", You can ask. The one who made his entrance into the stadium that night and greeted humanity. Surprisingly, he was also from this Earth. Inside that alien suit was George Bell, a former basketball player with the Harlem Wizards and the Harlem Globetrotters and, at 7 feet and 8 inches, the tallest ex-man in the United States.
So, move, people, nothing to see here. Except, maybe, just maybe, the whole theory of Olympic acclimation should not be ruled out with the rubber alien. The original contract was, of course, intended for Disney and, ultimately, it was the Disney chief Imagineer who realized the vision. This provides at least something to think about in the context of Disney's long and intriguing story with the UFO theme, which involves at least one instance of the entertainment giant that works with the official supposedly for the purpose of proving public reaction to reality. alien. If you still do not know the full story behind this, get comfortable, put on your foil hat and discover The internal history of the documentary and the mythical Disney UFO conference...
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